On awaiting responses...

A friend and fellow playwright wrote something to this effect on facebook the other day:

"Along with every script sent out goes a little bit of hope, which must be forgotten."

Which I thought described exactly what it's like to send out scripts.

Sending out scripts isn't terribly difficult. You don't need to "know" people (although it can help). All you need to do is some research--what companies are developing/producing new work? Of those companies, which of them do seasons which could possibly include your play? How do they like their submissions--first 10 pages and a summary, or full script, or only on recommendation of someone they know? Really, you just have to be organized, have a strong summary and a good query letter. And copies of your script, for those companies that aren't accepting electronic submissions.

Sending them out is a little bit fun--there's possibility attached to each one, one more of those magic if's that we are so fond of in theatre. And you know, they say you have to have a thick skin to deal with all the rejection in the arts, but the truth of it is, a lot of times the only response you get is no response at all.

Same goes for auditions--if you hear nothing, it means that someone else must have gotten it, and no one is going to tell you how good you were, or what you could do to improve. No news is their final answer.

I have some scripts that have been out for close to a year, with no response. I always struggle in terms of follow up, especially with utter strangers--people I don't know, and with whom my friends didn't put in a good word for me.

I don't think about it a lot--I figure the more people I get to read my scripts, the better my chances are of finding someone who's excited about them and wants to develop them further. All you can do is keep moving forward, because seriously, you could be waiting forever and never hear a word.