Howdy, friends and neighbours!
I was hoping to keep you up to date on my progress through the second session of the Big Time Theat-ah Play Development Unit. But my plans were thwarted by said unit, as we spent roughly 8 hours a day discussing our plays, and then I went home every night to desperately try and do some rewrites.
It was intense. I had fun, but I'm glad it's over. I'm not so glad to return to my "real life" job dealing with customers and staff, but I suppose that's a reason to work that much harder, right? So I can exit the world of service into the world of the artiste.
Or something like that.
So. My play. Well, it started out as a solo, then morphed into a two-hander with one speaking actor, one silent actor. Two monologues, one after the other. After this latest reading the general feeling of the rest of the unitards seems to be that this would do much better as a standard two-hander. I realize that's hard to envision without knowing the play, but the overall note was "does your form serve the idea of the play?" and the resounding answer is "no".
I don't know how to feel about that. I don't know if I'm reluctant to let go of my oh-so-clever initial idea. Or if I really wanted to write a solo, and I've somehow failed in that. I mean, I really do want to write a solo, largely so I can have something to perform myself (we won't get into my current acting insecurities). It just might not be this play.
So that's disappointing, in a weird way. I haven't looked at it since we finished a couple of days ago. I know what the rewrite will look like, I'm pretty confident that I can give myself some breathing room before returning to it before the public readings in June.
In other news: I am somewhat annoyed with my agent. I'm not sure if she's just not that interested in me (I know she is extremely interested in the more commercial pretty blonde friend of mine who's also signed with her), or if there's just no film work here (which there isn't), but I rarely hear from her. It's a little tough to get a hold of her sometimes, as evidenced when I booked those commercials last month and tried to get her to negotiate the rate, because, isn't that what she does? And that means yes, she does get paid for work she wasn't involved in getting me. But she definitely got me a better rate than I would have gotten myself.
The problem is getting paid. She was supposed to invoice this woman, and after an appropriate amount of time had gone by, I contacted her to say "Hey, any word on that cheque from Employer X? I sure could use the money." And her response was "Oh, I never heard from her, I guess I could email her to invoice her, what's her contact information?" And then I gave that to her. And now I'm chasing her down again.
Not good, I know. I probably need to switch to someone else. And a friend of mine had some rather interesting problems with a writing agent that he never officially severed his relationship with, so lesson learned, I need to be assertive in this situation.
And I've been away from voice lessons for a month due to scheduling, so looking forward to getting back on Tuesday.
And that's the news.
What's new with you?
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